At the first meeting of the horticultural year at Aldersbrook Horticultural Society, we welcomed Ashley Edwards, one of the presenters of Gardeners’ World, who spoke first about his career – as a small child, he loved bedding plants and he was close to his grandmother, who encouraged him to love gardens and nature.

 As a young man, he worked in a local garden centre and then studied at Kew Gardens, where he gained his RHS qualifications and the Kew Diploma.  

This gave him the opportunity, through the Interchange Fellowship, to work at Longwood Gardens in Pennsylvania – a contrasting horticultural experience to Kew Gardens.

This was followed by an internship in Sicily where he concentrated on growing food for the table.  On his return to the UK, he became Head Gardener at Strawberry Hill House in Twickenham and from there to becoming the Head Gardener at Horatio’s Garden at The London Spinal Cord Injury Centre in the Royal Orthopaedic Hospital in Stanmore. Here he focussed on growing plants for wellbeing and creating beautiful outdoor rooms for seriously injured patients and their visitors. As his broadcasting commitments have increased, Ashley has now taken up the part-time position of Head Gardener at Crocus, which is based at Dorney Court near Windsor.

Ashley showed us how the garden is being revived and replanted – although it has an original walled garden, the growing conditions on the site are challenging, with strong crosswinds and planted with dense hedges and skinny borders.  Ashley shared with us the new planting designs for each part of the garden, with a focus on growing climate-resilient plants, adding shade, structure, sensory planting and a seating area.  The work was only started in February and from the slides it looked as if it had been planted for years!  A rain garden has been developed with plants that can cope with water and drought. Sand and aggregates have been used as a substrate in some of the beds, which improves the growth of drought-resistant planting. There are cutting beds with dahlias and annuals and beds that show examples of Crocus collections.  

Crocus is a well-known online nursery that provides plants for many Chelsea gardens.  The next phase of the project is to look at providing an alternative to a lawn – maybe a wildflower meadow or alternatives to grass such as camomile.  

The garden is open on Mondays & Tuesdays, so we hope to visit next year.

Plant of the Month

A new feature of our monthly meetings is the Plant of the Month competition – we are delighted to announce that there were 14 really good entries and the winners this month were:-

1^st Jan Tallis with a beautiful and unusual Clerodendrum trichotomum var. fargesii, ‘Glorybower’

2^nd Jane Karavasilli – Clematis vitalba

3^rd Barbara White – Hibiscus

Beth Chatto’s Plants and Gardens in Elmstead Market, east of Colchester, is a great place to visit for anyone fascinated by gardening, as 55 members of the Aldersbrook Horticultural Society (AHS) discovered on Saturday 13 June.  

Members enjoyed the day’s unfamiliar sunshine (we were so lucky with the weather!), the glorious planting schemes, plant colours and a wide variety of wonderful cakes and scones to go with a cup of tea in the delightful Tea Rooms.

The gardens are unique in maintaining the philosophy of their founder.  Beth Chatto was a plantswoman, author and gardener who revolutionised horticulture by promoting ecological, “right plant, right place” gardening.  She transformed the wasteland she purchased with her husband in Elmstead Market in Essex into the now famous Beth Chatto’s Plants & Gardens, winning ten consecutive gold medals at the Chelsea Flower show and receiving an OBE for her services to horticulture. 

The dry garden in particular, designed by Beth Chatto in an old car park, is iconic.  It is a gravel garden and almost all of it is in full sun.  Plants there were watered once on planting and not thereafter, although shrubs and trees sometimes need a little more attention.  It seems extraordinary but, because all the plants are known to survive well in these seemingly harsh conditions, the garden thrives.

By contrast, there are also parts of the Beth Chatto Gardens which focus on woodland and on damp and shady areas.  The philosophy remains the same: find plants which like these conditions and they will grow well.

Visitors from the AHS were able to spend time (and money!) in the nursery which sells plants, 80% of which are grown on site.  Inevitably members got a little carried away: some bought more plants than they could carry (or had room for – I heard it said more than once: “I’ll find room for it somewhere”) … and one or two forgot they had no means of getting their purchases home.  It’s OK: they were bailed out by kindly neighbours with cars!  

We are so grateful to the garden administrators for making the visit so enjoyable for us; undoubtedly: many of us will be returning.

On Tuesday, 2nd June, it was a real treat for 32 members of The Aldersbrook Horticultural Society to visit The Aga Khan Centre. The rain cleared and problems with the tube train strike were largely avoided as we arrived at the Centre: a haven of peace and tranquility close to the Coal Drops Yard area of Kings Cross.  

The building is one of the more distinctive contemporary buildings in King’s Cross because it blends modern Japanese minimalism with references to Islamic architectural traditions.  Our guides provided much information for us about the nature of the building, its gardens and its purpose.

Designed by the celebrated Japanese architect Fumihiko Maki, the building was conceived as a place for education, research, and cultural exchange focused on Muslim civilisations.  The building is clad in pale limestone, echoing London’s traditional Portland stone architecture while standing out against the darker brick warehouses and industrial heritage of King’s Cross. The architectural heart of the building is a nine-storey glazed atrium. This space is inspired by the courtyards found in traditional Islamic architecture.  The atrium brings daylight deep into the building and creates visual connections between floors. 

A recurring eight-pointed star motif appears throughout the building in screens, metalwork, glazing patterns, and garden details. This geometric pattern is common in Islamic art and architecture. As sunlight moves across the building, these patterns cast intricate shadows into the interior, making light itself part of the architectural experience. 

One of the building’s most unusual features is its series of terraces, courtyards, and roof gardens distributed up the building.  Water, shade, geometric layouts, and contemplative spaces are recurring themes.  The movement and sound of water in fountains, small waterfalls and pools brought particular pleasure.

The group was able to stand on a terrace high up the building looking south towards the many familiar buildings of the London skyline set against – by then – a picture book blue sky with scudding white clouds.  It was breathtaking.

Members were enthralled.  One commented that the experience was impactful, admiring the style of gardening and the artwork.  Another delighted in standing in a rear courtyard, looking out onto The Jellicoe Gardens at the rear of the building, listening to the chattering of goldfinches.

We are most grateful to The Aga Khan Centre for sharing the beauty of its building and gardens, and for enabling our visit.